The final two movies I will review are Nebraska and Dallas
Buyers Club. These two movies, with very
different stories and themes, share an examination of human relationships and
how we interact with and care for each other.
Nebraska features Bruce Dern in a sterling performance as a
curmudgeonly old man who receives one of those “you have won a million dollars”
come-ons that we are all familiar with.
He either did not read the fine print, or did not comprehend it, because
he is determined to go to Nebraska and collect his million dollars. When no one
will take him, he sets out to walk there—from Montana where he lives.
Bruce Dern is Woody Grant—such a wonderfully evocative
mid-West name. He and his wife, Kate—played with a big dose of spit and vinegar
by June Squibb—have two sons, David (Will Forte) and Ross (Bob Odenkirk). Their lives are really very small. The more successful son Ross is a television
newsman who occasionally gets to substitute as anchor. David is a small-time salesman selling
electronic products, or at least trying to.
It is David who tries to rescue his father, going out to get him as he
walks along the road—to Nebraska.
Eventually, frustrated and unable to dissuade his father, he gives in and agrees to drive his father to Nebraska. Kate, Woody’s wife, is outraged and annoyed—her solution: put Woody in a nursing home. He is obviously too confused and too drunk to function independently.
Eventually, frustrated and unable to dissuade his father, he gives in and agrees to drive his father to Nebraska. Kate, Woody’s wife, is outraged and annoyed—her solution: put Woody in a nursing home. He is obviously too confused and too drunk to function independently.
Along the way, David persuades his father to visit Hawthorne,
the town where his father grew up and where many of his relatives still
live. There are marvelous scenes between
Woody and his brothers—they all sit in a crowded living room, watching
television, making an occasional laconic remark. The sons of his brother—David’s
cousins—delight in teasing David at how long it took him to drive from Billings
to Hawthorne (Hawthorne, by the way, is not a real place name). They return several times to remark about how
slowly David must drive.
As Woody and David go from place to place in the town, small
pieces of Woody’s life are revealed.
When Kate travels by bus to meet them, and then joins them going around
the town, her salty observations add a delightful risqué commentary on small
town life. The scene in the cemetery is
a classic as she goes from one headstone to another providing a bon mot
observation on each of the departed.
It might be tempting to think that the director Alexander
Payne is mocking small town life and small town lives. But the touches in the movie are truly
gentle, loving and humorous. It is not
difficult to see that these people’s lives, small though they may be, matter.
When Woody is pressed as to why he wants to win a million
dollars, his simple answer is so he can buy a new pick-up truck. While his motivation is heartfelt and
straightforward, all the town’s people with their avaricious reactions to his
supposed sudden wealth provide an interesting observation on how people see
another person’s good fortune.
There are several twists and turns in the plot, and the
ending brings a definite sweetness to the dénouement of the plot.
Early in the movie, when Ron Woodroof is feeling ill, he goes
to a doctor and learns he has AIDS and only a short time to live. His immediate reaction is an outburst of
disbelief and homophobic invectives—he cannot and does not see himself as the
kind of person who would get AIDS.
So begins his journey—which is the subject of the movie. He learns from his doctor that there is a
drug—AZT—which is in clinical trials. Ron
wants it, but the doctor won’t guarantee that he would get the drug if he
enrolled in a double-blind clinical trial.
So, he persuades a hospital worker to supply him with AZT, much as a
junkie would get illegal drugs. However,
he does not get better. He spends some
time in the hospital because he is so desperately ill—there he meets Rayon
(Jared Leto), a trans-gendered woman.
In a desperate bid to get better, Ron travels to Mexico to
visit an American doctor who has lost his license because he does not practice
traditionally accepted medicine. He
tells Ron that AZT is like a poison—killing not only the AIDS infected cells
but also healthy cells. Instead he
prescribes for Ron various drugs that are not FDA approved in the U.S. He also convinces Ron to clean up his health
habits, and stop using illegal drugs. Amazingly, Ron—who had only 30 days to
live when he was first diagnosed—begins to get healthy. He knows it is the combination of drugs he
gets in Mexico and the vitamin supplements he is taking that is restoring his
health.
He decides to share his good regimen with other HIV patients,
but has trouble finding people who will take him up on the offer. During this time, he re-encounters Rayon and
she can help bring him customers. Since
the drugs are not FDA approved, and not wishing to run afoul of the law, Ron
sets up the Dallas Buyers Club. Members
pay a monthly fee to belong to the club, and in return they receive packages of
drugs for their use. Predictably
perhaps, the Buyers Club is a huge success—and also predictably, Ron runs afoul
of the FDA.
Some of the energy in the movie derives from these
interactions between the medical establishment and the FDA and patients like
Ron who believe not enough is being done, and sometimes what is being done is
the wrong thing. It is difficult to
remember what things were like in the earlier days of treating AIDS, but in
this regard the movie rings very true.
Out of the Dallas Buyers Club grows an at first awkward and
then supportive partnership between Ron and Rayon. There are some very touching scenes with
Rayon and her father that help underscore how too many people struggling with
gender identity do not get the support they crave from parents.
Ron grows as an individual and eventually becomes a champion
of the gay patients he has in his Buyers Club.
And, perhaps in the final irony, given his original 30 day predicted
life span after initial diagnosis, Ron lived another 7 years.
I liked these two movies immensely. After the seemingly empty stories of The Wolf
of Wall Street and American Hustle, it was rewarding to watch movies where
people with all their problems cared about each other and grow in their
humanity.
I have no predictions as to which of these movies will win
Best Motion Picture award. I would happily
vote got 12 Years a Slave, or Dallas Buyer Club. But, I have learned time and again that the best picture doesn’t always win.
5 comments:
I watched both movies you mention here in your post this past week-end. I think I liked Nebraska better as Dallas was a bit too raw for me.
I liked the doctor in Mexico played by Griffin dunne. I felt that he was much more heroic than the self-seving Woodruff character.
I'd like to see a movie on him instead.
One thing did bother me about Nebraska was the annoying music they kept playing through-out the traveling scenes.
They both sounds interesting, especially Nebraska.
Peruby--huh! I confess I didn't notice the music. If I watch it again, I will try to tune in.
AC--the one thing about Nebraska that I didn't mention is how it raises questions about how we age. That isn't the point of the movie, but there were quite a few painful, touching scenes that deal with how we diminish as we age and how people don't always tune in to the needs of elderly. I found Woody to be quite a touching character, even as he was annoying and cantankerous.
You bring them both alive...now I want to see them and I know my oldest son is especially interested in The Dallas Buyers Club.
Hi, am finally catching up with the blog world and started writing in my own blog again after 8 months! This is great to have the summaries of all the Oscar movies - I don't think I've even seen one of them this year! Good to have your commentary!
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